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Patrick Gorman is a composer and performer of instrumental solo
piano pieces that falls stylistically into the realms of contemporary
classical and new age. Free from any formal training, his exploratory
approach to the instrument infuses streaks of melodic passages with
dynamically rhythmic and thematic movements, resulting in a sound
and style that very much remains his own.
In October of 2004, Patrick contacted the founder of Windham Hill
Records and grammy award winning recording artist and producer William
Ackerman, who agreed to take the healm as producer for his debut
album, Sounds From The Wishing Well. The album was independantly
released in September of 2005...
A FEW WORDS FROM WILL ACKERMAN...
"When Patrick Gorman called to me to ask whether I would assist
him in the production of his first solo piano recording I assumed
he knew of my history as a label founder and producer. He didnt.
As time progressed and we talked further I realized that hed
never listened to George Winston and had never heard of Liz Story,
Phil Aaberg or even Keith Jarrett. He was a little like the child
raised by wolves who knows nothing of the outside world. Patricks
music is so distinctively his own for this very reason. Hes
not steeped in recent piano music, but came up in a musical world
of his own sounds.
I love it that these beautiful, sometimes classical-seeming pieces
come from a musician whose primary instrument is drums. He talks
of how he perceives the piano as a percussion instrument and I understand
why he feels that way. Once again there is a layer of insulation
between him and the sizeable outside world of piano music and once
again Patrick emerges as possessing what is very much his own sound
remarkable in someone anticipating his first recording.
And its not just musical ideas that he has such a grasp of.
I was incredulous when he told me he wanted to record this project
in a day. I told him what any responsible producer would tell him;
that this was recklessly unrealistic. It would be nearly impossible
in a person of years of training and performance experience and
really out of the question for a drummer moonlighting in piano music.
Nonetheless I smugly agreed to meet Patrick (for the first time)
on the day of our session at Futura Studios outside of Boston where
I found Patrick sitting at a Steinway Grand piano.
The room was somewhat complex to record and we spent nearly two
and a half hours setting mics for the session. It was now 12:30
PM.
Patrick then set about to do exactly what he said he would do. I
demanded the same precision and expression from him that I would
in any session. There was no compromising. I watched and listened
to him do what he promised to do and by 7:30 that evening Patrick
had recorded Sounds From The Wishing Well. It was one of
the most remarkable performances I have had the pleasure to witness."
Will Ackerman
Windham County Vermont
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